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Finally, as with each supertask which makes use of packets,
the behavior of the story structure comprehension
supertask
is altered depending on which story structure packets
are known and retrieved from long-term memory
at reading time. For instance,
different genres of text will be related to different
story structure packets contained within the reasoning
system of the reader. After all, a science fiction story has
a different structure than a Western; specific packets
exist which guide the reader in precisely what to expect
from different genres.
The type of narrative will also determine specific
processing details through
the use of packets--a first-person narrative will be
handled in a different fashion than a third-person
narrative. For instance, in a first-person narrative, the
narrator can be assumed to be the protagonist.
This is the case in Men Are Different and leads to one
of the anomalies which results in
creative understanding.
The protagonist of the first-person narrative turns
out to be a robot, but protagonists are known (by the
model) to be agents, and robots are known to not be capable
of being agents. This contradiction requires a suspension
of disbelief in order to allow the creative understanding
process to resolve the issue.
Finally, specific authors with multiple stories will have
packets associated with them. As an
example and as was pointed out previously, Asimov
stories never involve time travel.
Next: Comprehending the scenario
Up: Comprehending the story structure
Previous: Task interaction
Kenneth Moorman
11/4/1997