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Assumptions of the research

   Before we can see the claims in detail, it is necessary to elaborate on the assumptions which underlie the work. My work exists within a framework which relies on two major assumptions. First, the author of a text intends for that material to be comprehended by a reader with the proper level of background knowledge. This idea of communicative agreement is a popular one in the field of literary study, although by no means the only one. As will be shown later, this assumption allows me to describe certain aspects of the reading process in a principled fashion as the theory is being constructed. Second, texts often contain concepts that are unknown to the readers. One of the major functions of reading is as a medium of education--to accomplish this, texts cannot simply contain known concepts. Notice that this does not violate the first assumption--the author, in fact, generally has an idea of which concepts being presented are unknown to the ``average'' reader and will craft the text in such a way as to support the understanding of those.

It is unlikely that either of these assumptions will prove to be false in the general sense. It is possible, though, to find examples of texts which violate one or both of the two assumptions. It is easy to imagine an author intentionally misleading the reader; for example, mystery authors often do this to allow the reader to experience the same deductive process which the characters of the story are going through. But this is a local example--in the end, the author is still expected to provide the reader with enough information to comprehend the story. On the other hand, there might be authors who intend their works to be incomprehensible for one reason or another. I assume these are enough of a rarity to not cause serious problems for the theory I am presenting.

It is much easier to imagine a text which contains only known concepts. In some cases, this will result in a straightforward comprehension. However, this fact would not cause problems for the theory being presented here; it would simply be a degenerate case. It is still likely, though, that even texts which contain no unknown concepts will be read in unique ways. Readers bring their own background to the comprehension process; so, even if a reader finishes a text and immediately decides to re-read it (thereby making it highly likely that no new concepts are present in the second reading), the comprehension which is produced is likely to be different. For instance, the reader will generate different expectations during the second reading than during the first (e.g., see [#!read:ram1!#]).


next up previous index
Next: Creative reading Up: Introduction Previous: Introduction
Kenneth Moorman
11/4/1997